Monday, March 11, 2019

Cuirt 2019 : Her Kind Galway Launch!

So, in addition to the hometown launch, we're off to the West to have a Galway Launch for Her Kind! It'll be on Monday 8th at 6pm in the Biteclub on Abbeygate Street. I'm delighted to be bringing the novel to an International Festival like Cuirt - Everyone and their granny is welcome of course! I'll be teaching a workshop that morning at the Galway Arts Centre called Fact to Fiction...(for more details and to book a place click here )

Tuesday, February 26, 2019

Her Kind Launch

And goes without saying - you're all invited!

Available to pre-order from Amazon,  Book Depository, Hive & Waterstones
1324, Kilkennie
A woman seeks refuge for herself and her daughter in the household of a childhood friend. The friend, Alice Kytler, takes her in, but warns her to hide their old connection.

In the months that follow Petronelle realises the city is as dangerous as the wolves that prowl the countryside, and that Dame Alice is no one’s guardian…

Once again, Petronelle decides to flee. But this time she is faced with forces darker than she could ever have imagined, and finds herself fighting for more than her freedom ...

Her Kind is a moving and atmospheric re-imagining of the events leading to the Kilkenny Witch Trial of 1324.

Tuesday, January 29, 2019

Her Kind

Published by Penguin Random House

The release date for my novel based on the Kilkenny Witchcraft trials is nearing, its the 4th April! 

The book is inspired by events in Kilkenny in 1324, by a trial that arose after moneylender Dame Alice Kytler was accused of witchcraft by Bishop Ledrede. She was a very wealthy business woman with debtors, and relations, in high places - records show she had lent King Edward (half of Kilkennie was governed by the crown in those days) a princely five hundred pounds. There's no record of his honoring that payment... but more of all that later. 

The case is historically significant for a number of reasons, it predates the Witch hunts of the 16th Century by two hundred years, yet the accusations made against Alice and her household, are almost identical to those that were to follow. It marks a significant moment in witch trial history, one where sorcery was elevated from being a petty to a much more serious, heretical crime - a change that had significant long term consequences... But, the heart of my book are the people involved in the case, Richard Ledrede, Dame Alice Kytler and her maid Petronelle ... 

Her Kind is available to pre-order Here


The novel also got a mention in this piece...


For anyone interested in hearing more in the meantime - I wrote an article about the background to the trial for Womankind's Gothic edition....

Issue #5: Gothic

Tuesday, November 27, 2018

Irish Writers Centre Workshops

I'm delighted to be back teaching in the Irish Writers Centre this Spring - I love teaching there - I first set foot in the Centre as an inaugural Novel Fair Winner, and ended up being published by Penguin Ireland as a result. That was The Herbalist, and my new book Her Kind (about the Kilkenny witchcraft trial) will also be published by Penguin Random House next April. I am teaching two courses, one runs over a few weeks, and is aimed at beginners, or those of you beginning again. The second reflects my interest in turning fact into fiction, as my two novels were both based on real life trials....   

Six Week Starter Kit
'This course is suitable for those new to writing, or interested in getting back to writing. Fun but focused, the core of this course will be weekly writing exercises. Through these, participants will create, and shape new fictions. These might grow into flash pieces, short stories, monologues, rants or chapters. Each writer will work towards completing their piece over the course of the six weeks. Basic character development, voice, point of view, story and setting will also be discussed.' 
To book - click here 

From Fact to Fiction (One Day)
Do you have a story you always wanted to tell? Something that really happened but you don't know how to handle the material? This workshop will explore how true stories can inspire a work of fiction. Participants will look at character, voice, setting, first draft, research, 'how much truth, how much fiction,' and revision. The course is suitable for both beginners and those who have been writing for a while. All you need is a pen and notebook.
To book - click here

Saturday, October 27, 2018

Sunday, October 21, 2018

The Book Show - Historical Fiction

Both of my novels, The Herbalist and Her Kind (available for pre-order here!) were based on legal trials from another century. The Herbalist was inspired by the case of Don Robert Rodriguez de Vere in 1940's Athy, and Her Kind explores Kilkenny's infamous sorcery trial - the case of Dame Alice Kytler. 

My interest in hidden stories, in excavating silenced voices has led me to write books are often seen as historical, or more recently as bio-fiction. Like most writers, I just write what fascinates me, and am sometimes surprised at the labels attached to the finished book. This is just one of the subjects discussed on The Book Show tonight. 

The show is hosted by novelist and poet, Nuala O Connor. The guests are Paul Lynch, Andrew Miller and myself. We'll be discussing historical fiction, language, research and whether historical fiction has an image problem! Listen in, at 7pm or catch the podcast later.

For more - check out The Book Show Website. 

Friday, October 19, 2018

The Flight of the Wren

The Wrens were a community of women who lived brutal lives on the plains of the Curragh in the 19th Century. They worked as prostitutes, and earned their name from the hollowed out nests under the furze in which they sheltered. The Wrens of Kildare have long intrigued novelists, poets, historians and artists, including Maria Luddy, Rose Doyle, Martin Malone, and Ann Egan. A first hand account was published in Dickens newspaper, The Pall Mall Gazette in 1867 and remains a fascinating document. Today, I'm talking to award winning writer, Orla McAlinden who was inspired by this community of women to write her exciting debut novel, The Flight of the Wren. 

The Curragh Wrens lived a fascinating and brutal life, did you feel a spark, a strong desire to write about them, from the second you learned of their existence, or was it something that developed over time?
I knew very little about the Curragh wrens for the first ten years that I lived in Kildare, despite living within a brisk half hour walk of the Curragh. I knew of their existence but little more. However, the turning point in my relationship with the story came during the bicentenary of the official founding of Newbridge Town. Newbridge 200 was celebrated in 2012 with a plethora of art, history, walks and music. I found myself walking through the She-barracks (the old brothel district) with local historians; poring over old drawings and photos that showed a military installation fit to rival Collins Barracks in Dublin; and learning to discern traces of the past in the architecture, the street names and the shop-fronts and signage. Co-incidentally, 2012 was also the year in which I first started writing, after the death of my father. Prior to his death, I had been an avid reader, but never had put words on a page before. The writing, which had begun as a secret catharsis, soon turned into first a hobby, then an almost-obsession.   I instinctively knew that I wasn’t ready, had not yet the skills, to attempt the story of the Wrens. It took two years before I felt able to start fleshing out their tale.
Jane McNamee Sings of the Wrens of the Curragh...

How important was sense of place in writing the story of Sally Mahon - do you think living so close to the area, gave you an essential sense of connection? Is place important to you in general as a writer?
A sense of place is everything to me. My first book, a short story collection called The Accidental Wife, is set in a fictional village outside Omagh in Co Tyrone. Although the village, and the farm at Drumnagort, do not exist, I see them clearly in my mind’s eye. Those characters cannot walk through the world as they do, or use the magnificent language they use, unless they come from the very real landscape of rural Ulster. Likewise with The Flight of the Wren, the landscape of Kildare and particularly the Curragh, permeates every page of the Irish sections of the book. I have stood in the howling wind which rushes off the Dublin mountains, sweeps unhindered across the Curragh Plain and slams into Newbridge. I have heard the thundering hooves of a dozen horses at full tilt across the short cropped grass of the Curragh, as Sally Mahon in 1849 would have heard the Cavalry. My Tasmanian chapters are all set indoors. I have never been to Tasmania, and rather than risk inauthenticity, I brought my Australian characters inside, into the domestic environment.

I am interested in how you began The Flight of the Wrens. Did Sally's voice come to you with ease as you began to write the story? Or was it something that evolved as the story developed? How was she to work with as a character, did she surprise you at any point?

People are sick to death of hearing how I started writing The Flight of the Wren, probably because the story seems too neat to be true. The bones of the novel, the general narrative arc, and the social milieux of the characters fell into my brain in the local history section of Hodges Figgis bookshop. I picked up a small non-fiction book by Catherine Fleming entitled The Transportation of Women from Kildare to Van Diemens Land, and the novel was firmly fixed in my brain by the time I had paid for the book and walked back to the car park. I knew I finally had my route into the exploration of the Wrens of the Curragh.
I found Sally’s true voice very late in the process. The entire book was rewritten at least five times in numerous voices and points of view. For a long time my preferred voice was of the twelve year old Sally, extremely na├»ve and trusting, relating baldly the facts of her existence. I also tried a universal, omniscient POV, second person, third person. Sally did not find her authentic voice until the final rewrite, when I thrust her forward in time by almost 70 years, and let her tell her story with the full strength, wisdom and clear-sight of the crone, rather than the maiden.  
I adored Sally and she surprised me at every turn. I don’t plot, and although I knew before I started writing that she would survive her journey and triumph, I had absolutely no idea how. At the end of each writing session of the first draft, I would sit back and say, wow… I did not see that coming.
Your book explores the famine as well as the Curragh Wrens. Have you any tips for emerging writers who may be interested in exploring an aspect of social history or a real event from their own lives?
The most important advice I could suggest to any emerging writer is to read. Read voraciously in your time-period and locality. For those writers approaching historical fiction, the local library networks are amazing, covering genealogy, land-leases, censuses, contemporary photographs etc. Get stuck in. But, very importantly, remember that a novel is not a text book. As long as you know everything, your reader doesn’t have to. Use your research lightly.
What's next for you in terms of writing?
I’m lucky in one sense. Because it was such a monumental and time consuming effort to find a publisher for The Flight of the Wren (4 years and 70 rejections), I already have my next book written and ready to go, so I am not under the enormous pressure that other writers often find themselves; promoting one book, while trying to write another. Full of Grace is another short story collection, which re-introduces us to some of the characters from the award-winning stories in The Accidental Wife, and new characters have arrived in the village, or come to my attention for the first time. I wouldn’t call it a sequel, more a companion to The Accidental Wife. Full of Grace will be published next Spring by Mentor Press. 
Thanks so much for the interview Orla, for more about The Flight of the Wren and Orla's work check out her Blog.

Wednesday, October 17, 2018

The Bookshow on RTE Radio One

Nuala O Connor is  guest-presenting The Book Show on RTE Radio 1 next Sunday 21st at 7pm. I'm delighted to be joining her and writer Paul Lynch  to chat about historical fiction, research, and my novel, Her Kind, which was inspired by the Kytler Sorcery Trial of 1324. Andrew Miller will join Nuala on the line from Bath.

During the show, I'll read a short excerpt from Her Kind. It will give a sneak preview of the novel, which will be published next April by Penguin Random House. Its exciting to have the novel finished - it was over four years in the writing, not quite the time span I expected when I began back 2014!

Next week, I'll be interviewing writer Orla MacLinden on the blog, and after that, I'll be taking a rest from social media ( especially Facebook which cannibalizes writers!) -  so this winter, I hope to work on a new novel without (too many) distractions. 

Till then, happy writing :)

Thursday, September 27, 2018

Becoming Belle - An Interview with Nuala O' Connor

Firstly congratulations on such a compelling novel Nuala, its such a beautifully written story, and a fantastic read – I devoured it in one weekend!
Thanks a million, Niamh, that’s lovely to hear.

The character of Belle is based on a real person, someone you have known about for quite some time, and who is buried a ‘stone’s throw’ from where you live in Ballinasloe. You have already spoken about your research in previous interviews – so what I would love to know is, was it hard to chose which portion of Belles rich and various life to represent and what to leave out?

Nuala O' Connor
I think this is always the tangly bit for novelists – we do our research and end up with a pile of facts and then we have to finesse them into something readable and, hopefully compelling. And, basically, some of the facts of people’s lives don’t necessarily fit with the story we end up wanting to tell. So writing a novel becomes a series of questions about what caves (of the character’s life) we want to shine our torch into. I’m interested in people and their little madnesses and obsessions, so I wanted to see how Belle handled the various upheavals she found herself at the centre of (baby out of wedlock in 1888; a fraudster boyfriend; elopement with a viscount; his sudden disappearance etc.) I focussed on four consecutive years in Belle’s life and thought my way through the most relevant parts of them, as unearthed through research.
I adored the language of the novel, it evokes Belle’s world in an incredibly sensual and immediate manner. It’s a leap and a lifetime away from our contemporary hashtag /emoji/lol filled language – had you any particular rituals or techniques for immersing yourself in 1880s London when you sat down to write?

The only ritual I have is to read yesterday’s written work before I move onto today’s. That way I get myself back into the mood/tone/language of the piece before moving on. I wanted Becoming Belle to read like a Victorian novel, so I did a lot of research around that through reading contemporary social reports and newspapers, novels of the day etc. It’s important to me that the language sounds authentic so that the reader feels they’re immersed in the Victorian era.
Cigarette Cards Featuring Belle
I really enjoyed reading the Author’s Note where you fill us in on what happened to Belle and the other characters. It felt respectful to their real lived selves and was quite moving. If there’s a particular pleasure in weaving fiction and fact, what would you say might be the cautions – I am thinking of other writers who may be reading this – what would you say are the particular challenges that come with working in this genre?

I suppose I have contradictory thoughts about it. In one way I feel we as writers have a duty to be faithful to the lives and events of the real people we write about. In another way I feel we’re fiction writers, we should have freedom to invent where we feel that’s necessary. I come at my characters with love and respect. That doesn’t mean I present them as paragons, I want them to seem real: lacking, sweet, damaged, fun, blemished, honest and confused in the way that we all are. Belle can come over as selfish at times but who is not guilty of that on occasion? I think it’s important not to make demigods of real people – we all make mistakes, and do regrettable things, even our beloved factional characters.

Your short stories often involve real characters, and this is your second novel inspired by someone’s actual life (Miss Emily being the first) – do you feel you have found a groove, so to speak? Are you hooked? Can we expect more bio-fiction novels in the future?
Yes, I’m working on another bio-fictional novel now. It centres on a strong Irish woman who has been flicked to one side by history, but who I’m bringing centre stage. I love bio-fiction, but it can be a little restrictive, in that you have to hang your fiction on the archway of a real, lived life. Once my novel-in-progress is done, I may have a go at another contemporary novel. I miss the freedoms of unadulterated invention. That’s something to look forward to while I wade through the muddier bits of the novel-in-progress.

Best of luck with that novel in progress Nuala, and look forward to finding out who this strong Irish woman is!  Becoming Belle is available in all good book shops, and Amazon. For more about Nuala's writing,  and Belle (including a fascinating video of her collection of Belle ephemera) check out her Website 

Sunday, June 10, 2018

Inside the Wolf

Come into the woods

Meet Red Riding Hood. Meet witches, ghosts, beasts, painters, muses and mermaids in a poetry collection about art, motherhood, and voice. 

Watch out for the wolf

My collection of poetry, is available from today from Amazon. Many thanks to John MacKenna, and Nuala O Connor, who took the time to read the book and say good things.....

‘In these clever, concise poems, Niamh Boyce resurrects the ancestors who gifted her a legacy of words and their ghostly presences shimmer through the work. Boyce has the artist’s peeled eye: she dissects fairy tales and reassembles them with colour, menace and wit. Her imagery is visceral, and she is as comfortable making the reader laugh as moving the heart. These are honest poems, open to beauty and to examining women’s complex negotiations with the world. *Inside the Wolf* is a diverse and vivid collection, a fierce celebration of words and women.’ 

Nuala O’Connor, author of ‘Miss Emily.’

‘From the moment when the skeletons are pulled from the closet to the moment when the forest is riddled with monsters, these poems are, as Niamh Boyce writes, "mothers calling their children for supper." They are spells woven, like the witch-spells about which she writes, to draw us in, to show us the possibilities and the darknesses of the human condition. But, most of all, it is the ghosts of people like Agnes Richter, Frida Kahlo, Katharina Detzel and Kitty who "tiptoe in like children who ought to be sleeping" who will long remain with me, their lives reimagined in these marvelous poems.’

John MacKenna, author of ‘Once We Sang Like Other Men.’

Available on Amazon - click Here

Monday, July 31, 2017

Fact to Fiction

I'll be teaching a workshop at the end of August specifically for people interested in weaving fact and fiction. It would suit people who have already begun a project, or have a particular subject in mind. So this Autumn might be the time to tackle that story that's been brewing for a while :) This is an article I wrote on my own process for my first book The Herbalist.

And here are the course details....

Location: Athy Heritage Centre, Emily Square, Athy
Date: Sat 26th August from 12.30- 3.30pm
Price: 45 Euro per person. (Limited numbers so booking is essential)


Course Title: Fact to Fiction
A practical writing workshop, exploring how true stories can inspire a work of fiction.

The workshop…
In this practical workshop, award winning historical novelist, Niamh Boyce will explore how true stories can inspire a work of fiction. She will discuss writing that first draft, revision and research. It is suitable for both beginners and those who have been writing for a while.
All you need is a pen and notebook…

Niamh has just finished her second novel, her first ‘The Herbalist’ (Penguin Ireland) won Newcomer of the Year at the Irish Book Awards 2013, and was long listed for the IMPAC Award. 'The Herbalist' was set in the 1930s, and inspired by a newspaper clipping. Her most recent work was also inspired by a true story - a medieval witchcraft trial, to be published in 2019.

Winner of the Hennessy XO New Irish Writer of the Year 2012, Niamh’s poetry collection was highly commended in The Patrick Kavanagh Poetry Award 2013. Her novel, The Herbalist (Penguin Ireland) won Newcomer of the Year at the Irish Book Awards 2013, and was long listed for the IMPAC Award. Her stories have been adapted for stage, broadcast, published in literary magazines and anthologized, most recently in The Long Gaze Back- Irish Women Writers' and 'The Hennessy Book of Irish Fiction.

Niamh is a trained facilitator and tutor with a background in community development. She has devised and taught creative writing and novel workshops for many years. She has a Master in Women's Studies (Trinity) and an honors degree in English and History (UCG) Other qualifications include a Higher Diploma in Community Development Practice(NUIG) and a Community Arts Certificate.  

Saturday, July 29, 2017

Helena Duggan & the specs that inspired a novel

Helena Duggan is a writer from Kilkenny, a medieval, haunted city in the south of Ireland.  A Place Called Perfect is her first book. I met Helena many years ago on a writing course. Our group got on so well, that we still meet regularly and hound each other to keep writing:) 
Hi Helena! What inspired you to write A Place Called Perfect?
the original glasses!
I always wanted a pair of round rimmed glasses. Most people think when I tell them that I must’ve loved John Lennon or Harry Potter, and while Harry Potter is definitely on my list of favorite people - neither is the reason for my love of round specs. It was actually James Joyce who sparked my interest. I’d love to say I'd admired Joyce’s work from an early age, but truth be told, I didn’t know who he was outside of the fact that he was a man in a painting my mother owned and he wore the coolest glasses. Years later I saw a similar pair in an antique shop in Australia and I bought them convinced I would change the lenses and wear them myself. That never happened. The more I carried the glasses the more I began to think about their last owner. I wondered if he or she were dead and surmised they were as I the glasses were antique. I began to think about that person and their life. Maybe their memories had become locked inside the lenses and if I got rid of them - I’d be throwing away the last pieces of that person. This idea set me on the path to Perfect.

Perfect is a fascinating place, is it based on anywhere in particular? What was it like creating a world?

It’s based on Kilkenny. I hadn’t started out basing it here, it just kind of happened organically. I needed a family name and I chose Archer. It’s prominent in Kilkenny’s history, and it lent itself to both good and evil characters. Then I needed a place where part of the town could be hidden inside the other part without anyone noticing. Kilkenny’s High street sits above Kieran’s Street and its stone walls. I began to play with the idea of extending few walls here and there and locking Kieran Street inside the rest of the Town. This worked well as did the underground passages, cobbled roads and medieval graveyards of Kilkenny and slowly Perfect began to take shape. It was never a concise decision just something that happened really and I wasn’t aware that I was creating a world until it was created, otherwise I’m not sure I’d be able to do it ;)

And, last question Helena! Who is your favorite writer?
I love Roald Dahl, I read his books loads when I was younger and loved his language and how he made up his own words. Most of what I remember while reading his books is laughter. I think I laughed a lot and that feeling has stuck with me. I also really love JK Rowling's Harry Potter books. I haven’t read any of her other works. I think Harry Potter has stuck with me because she created a totally believable story right from the beginning, none of the seven books feel contrived and the whole idea which was huge has very few plot holes. Her world feels real to me!

About A Place Called Perfect… Who wants to live in a town where everyone has to wear glasses to stop them going blind? And who wants to be neat and tidy and perfectly behaved all the time?
But Violet quickly discovers there's something weird going on – she keeps hearing noises in the night, her mum is acting strange and her dad has disappeared.
When she meets Boy she realizes that her dad is not the only person to have been stolen away...and that the mysterious Watchers are guarding a perfectly creepy secret!

You can buy your copy HERE  at Amazon - or all good bookshops

Monday, July 24, 2017

Beginners Fiction...

Beginners Fiction with Niamh Boyce

Starts: Tue 19 Sept 2017
Time: 6.30pm – 8.30pm
Duration: 10 Weeks
Cost: €280/€260 Members
Venue: Irish Writers Centre
                          No. 19 Parnell Square, Dublin

One of the (many!) great things about finishing a novel is being able to concentrate on short fiction, and having time to teach. I'm delighted to delivering this workshop at the Irish Writers Centre in September, its a place that's been good to me. The Writers Centre's inaugural Novel Fair was where I met my publishers Penguin, which led to the publication of my debut, The Herbalist.  The course is for beginners. No matter how long I've been writing, I find coming back to a beginners mind is essential (and exciting) - as Natalie Goldberg says  - " Each time is a new journey with no maps"... 

Course Description...

Suitable for those new to writing, and getting back to writing.
Fun but focused, the core of this course will be weekly writing exercises. Through these, participants will create, and shape new fictions. These might grow into flash pieces, short stories, monologues, rants or chapters. Each writer will work towards completing their piece over the course of the ten weeks. Basic character development, voice, point of view, story and setting will also be discussed. 

A Hennessy New Irish Writer of the Year 2012. Niamh’s novel, The Herbalist (Penguin Ireland) was an Irish Book Awards winner and shortlisted for an IMPAC Award.

 For more information on the course click - Here
For more about my Bio and training click - Here

The Irish Writers Centre - 01 872 130